In a groundbreaking leap from viral videos to cinema, Eva Victor has crafted a deeply moving exploration of friendship, trauma, and queer identity with their debut film “Sorry, Baby”. The indie film, which premiered at Sundance Film Festival and secured distribution with A24, follows Agnes, a literature academic navigating the complex aftermath of sexual assault.

Victor, known for their vulnerable and comedic online content, brings an intimate and nuanced approach to storytelling. The film centers on the unbreakable bond between Agnes and her best friend Lydie, played by Naomi Ackie, as they support each other through profound personal transformation.

Written during the early days of the COVID-19 pandemic, “Sorry, Baby” emerged from Victor’s deep commitment to representing healing and resilience. Their collaborative process with filmmaker Barry Jenkins helped shape the film’s emotional landscape, ensuring a sensitive portrayal of difficult experiences.

The film deliberately avoids graphic depictions of violence, instead focusing on emotional journeys and the power of queer friendship. Victor’s screenplay intentionally celebrates the complexity of queer relationships and personal growth, showing how trauma can become a catalyst for self-discovery.

Casting was crucial to the film’s authenticity. Victor was particularly drawn to Naomi Ackie’s ability to bring depth and warmth to the character of Lydie, describing her as someone who “could have chemistry with a wall”.

“Sorry, Baby” represents more than just a film - it’s a testament to the transformative power of friendship, the resilience of survivors, and the importance of queer narratives in contemporary cinema. Victor’s debut signals an exciting new voice in independent filmmaking, one that speaks directly to experiences often marginalized in mainstream storytelling.

The film opens in select theaters on July 4th, promising to be a powerful and nuanced exploration of healing, friendship, and personal liberation.