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The San Francisco Frontier | Est. 2025
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Sam Smith's Epic Castro Theatre Comeback: A Musical Journey Through Queer History

Sam Smith, Stage Onix, Lollapalooza Brasil in São Paulo.

San Francisco’s iconic Castro Theatre witnessed a breathtaking performance as Sam Smith delivered a soul-stirring residency that transcended musical boundaries.

Dressed in a dramatic ballooning cloak and tricorn hat, Smith transformed the historic venue into a sanctuary of musical storytelling. Their nearly 90-minute set was a powerful homage to generations of rhythm and blues artists, celebrating queer musical legacy with an unapologetic energy.

The performance seamlessly blended original hits like “Lay Me Down” and “I’m Not the Only One” with unexpected covers that paid tribute to legendary artists. From Chaka Khan’s “Ain’t Nobody” to Erasure’s “A Little Respect,” Smith demonstrated a profound understanding of musical heritage.

A particularly poignant moment came when Smith shared a story about Elton John introducing them to Bonnie Raitt’s “Angel From Montgomery,” which became a standout performance. Dressed in a shimmering black dress, Smith’s tenor voice transformed the song into an emotional masterpiece.

The show wasn’t just a musical performance but a celebration of queer identity. A recording of Harvey Milk’s iconic “You Gotta Give Them Hope” speech resonated through the theatre, connecting the present moment with San Francisco’s rich LGBTQ+ history.

Smith’s connection to the space was palpable. They spoke of San Francisco feeling like “home” - a sentiment deeply familiar to many in the LGBTQ+ community who have long viewed the city as a sanctuary of acceptance and expression.

The residency felt like more than a concert; it was a re-christening of the Castro Theatre, breathing new life into a space that has long been a symbol of queer resilience and creativity. With the venue’s upgraded sound system and refreshed interior, Smith’s performance marked a powerful new chapter in the theatre’s storied history.

As the final notes of “Stay With Me” and “Hold On” faded, it was clear that this was more than a performance - it was a celebration of musical artistry, queer identity, and the enduring spirit of San Francisco.

AUTHOR: mp

SOURCE: SFist